I interviewed Suzi Quatro at the Gibson Guitars studio in the West End last night, as part of Found in Music's 'In Conversation With' series for SAGA. The event, exclusive to members, with tickets won by ballot, drew fans from as far as Birmingham and as wide as Portsmouth. One couple told me they were so keen to attend, they'd actually set off from the south coast the day before. It only dawned on them when they'd driven as far as Guildford that they were twenty-four hours too early, and had to go back home ...
People make fun of me all the time for 'hanging out with ageing rock stars'. 'Why do you bother with all these old dinosaurs?', my hip-and-happenin' friends say. The answer is simple: they are more interesting. They've had breathtakingly creative, globe-trotting lives that armchair-theatre-goers can only dream of. They've been everywhere. Met everyone. Seen everything. They've jammed with their own idols. They remain idols themselves to millions who have followed them since they emerged. They have the greatest war stories, the most stamina, the kindest hearts, and they are rocking 'til they drop. Isn't that how we all want to be?
Detroit-born Suzi Quatro was a female pioneer during an age of male rock'n'roll rebellion. Micky Most brought her to London in 1971, not to be 'the new Janis Joplin' (Pearl having died the year before, and every music mogul and record producer was seeking a replacement), but to be 'the first Suzi Quatro'. She wrote with Nicky Chinn and Mike Chapman, and was massive throughout Europe and Australasia. But she could never really give it away back home until she was offered the role of Leather Tuscadero alongside the Fonz and Ritchie Cunningham in 'Happy Days'. The part was made for her, and she for it. She became a huge star in America and around the world. They offered her Leather's own spin-off series. She declined, not wishing to be typecast. The biggest mistake of her life,' crowed the naysayers. 'What has she ever done since?'
She has sold fifty-five million records. She has written and published three books - her latest an anthology of poetry entitled 'Through My Eyes'. She has starred in a West End musical, 'Annie Get Your Gun' (in 1986, when I first interviewed her). She's acted in 'Minder', 'Dempsey & Makepeace', 'Ab Fab', 'The Midsomer Murders'. She has two new albums: 'Legend', a compilation of twenty tracks, and 'Quatro, Scott & Powell', with Sweet's Andy Scott and Slade's Don Powell, out on Warner's. She's just headlined an arena tour with Hot Chocolate, David Essex and the Osmonds. She still lives in the moated Essex manor house where she raised her two children and now cares for her cherished grandchild. She has twice the energy of a woman half her age. She is sixty-seven, and shouts it. She made it all possible for the female rockers who came after her - Tina Weymouth, The Runaways and Joan Jett, Girlschool, the GoGos, even the Spice Girls - which is perhaps her greatest legacy. She inspired both women and men. She inspired me: I had her poster on my bedroom wall.
How does she do it? 'By being myself,' she says. 'I have never tried to be anyone else. I've always known where to draw the line.' A line that reminds me of cowboy Curly's advice to Billy Crystal's character in 'City Slickers', when he tells him that the secret of life is 'just one thing.' Yeah?' says Billy, eagerly, 'so what is the one thing?' Curly curls a crusty lip, and smiles: 'That's what YOU'VE gotta figure out ...'